How Writers Find Their Brave

Madeleine L’Engle should be the patron saint of Christian women writers. Any time I start doubting myself, I pull out Walking on Water and feel like I can stop hyperventilating and breathe again. This morning in Walking on Water I read:

“I believe that each work of art, whether it is a work of great genius or something very small, comes to the artists and says, ‘Here I am. Enflesh me. Give birth to me.’ And the artist either says, ‘My soul doth magnify the Lord,’ and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary.” (p. 18)

“When the artist is truly the servant of the work, the work is better than the artist.” (p. 24)

“When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.” (p. 24)

Serve the Work. Get out of the way. Listen.

Yes.

Annie Dillard says something similar in The Writing Life:

“At its best, the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it.” (p. 75)

Most days I sit down and write paragraphs of pure junk. It flows so easily. Then I pick back through the rubble like a hurricane victim trying to salvage valuables from the storm. A friend of mine just shared an article with me about how we must first allow the madman to write. That’s what I’m doing these days. Lots of “shitty first drafts” written by my inner madman. (Thank you, Anne Lamott, for empowering us to write what comes first.)

I have a friend who wants to start writing. “How did you get the courage to start?” she asked.

I wrote because not writing was no longer an option. It was more painful not to write than to write. Like plugging a water faucet with your finger, the words were just too pent up. They demanded a release. In Letters to a Young Poet, Rilke says that we should only write if we must.

But I am still learning how to get out of the way and serve the work. It takes a certain faith to believe in the word magic. Elizabeth Gilbert has built her entire career on it, writing Big Magic and producing a podcast called Magic Lessons. It feels like voodoo. But Christian poet Luci Shaw instead names the Holy Spirit as her muse in Breath for the Bones.

Sometimes it helps to over-spiritualize things.

When I meet other writers, they ask me if I want to write a book. “Maybe eventually,” I’ve always said. I still feel like I’m in love with the love of writing, like I’m not ready to commit to this as a profession. It is an affair without the commitment and I don’t want to sacrifice the butterflies for the long-term, daily work of love that includes the non-sexy tasks of emptying the dishwasher and hanging the wet clothes on the line. But the time has come.

The Book is asking me to write it.

I was excited at first. But lately I’ve taken cues from my children and become a fantastic whiner. Just what my husband needs.

I made the mistake of going into Barnes and Noble. Thousands of beautiful books full of billions of words assaulted me. I couldn’t leave quickly enough. They seemed to all be harassing me, screaming, “We don’t need any more of these!”

But hanging on my husband’s neck in the kitchen after the kids had finally quieted down that night, I told him about the abuse I had suffered. I echoed the books’ words: “Why? Why does the world need another book?”

“Think about it like this,” he said. “The world doesn’t need another child, either. There are billions. And yet each one is precious—unique—and a necessary and beautiful contribution to the world. And people just keep birthing them.”

This from a man who consumes over 80 books a year and reads for a living. He has narrated a few horrible books in his lifetime. Surely he would save me from myself if I was way off track.

But he believes I can do it. I don’t think I would have even started writing without him as a coach, editor and cheerleader. God knew I wouldn’t venture out without at least one person in the world telling me I could do this.

So I released my inner madman this morning. He’s running all over the page. I’m listening. I lift my hands in terrified obedience–surrender, even.

Yes. I will serve the work.

Here we go.

 

If you are a writer, how do you find your brave?

 

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What do Annie Dillard, Madeleine L'Engle, Luci Shaw and Rilke have in common?

Small Sticky Hands Lead Me to Jesus {for The Redbud Post}

Last summer, hugely pregnant with my third child, I took my 1- and 3-year-olds on a walk every afternoon. I’d saunter along behind them, absently resting my hand on my taut belly, hoping to receive some communication in the form of a heel or shoulder blade in my palm. My head ached from the dry Colorado heat, and every joint and ligament protested at being stretched to capacity. I had no delight left in me, so I drank in the delight of my children, filling my own empty reservoir with their joy.

We spent over an hour on a half mile stretch of concrete path that wound behind our neighborhood. The path only extended another half mile beyond that and was barricaded by a chain-link fence, though there were rumors the city planned on extending the path one day.

On these walks, my kids would lie on the sidewalk, watching ants and poking roly-polies until they curled into a ball. They’d pick dandelions by the fist-full and stuff their pockets with ruby red berries I hoped weren’t poisonous. Wild, brown bunnies would dart out of bushes and skitter away as my son and daughter chased them under fences.

For once, I was glad to roam at the rhythm of my children. The first four years of motherhood had been a constant tension: my kids wanted to go slow; I wanted to go fast. They wanted to savor simple pleasures; I wanted the adventurous life I had lived before children. They wanted to play; I wanted to be productive.

But last summer, I finally surrendered. My children won the battle for slow, small and simple.

So now, instead of resenting them for weighing me down, holding me back, and stunting my growth, I’m starting to accept that my children are not a burden. In fact, they are teaching me how to live.

My children are my wonder-catchers. They are my sieve—capturing every small, insignificant, glorious life particle before it can slip away. Like getting eyeglasses for the first time, my children magnify life, bringing every bug, spider web, sparkly rock, quirky person, and familiar place into sharp clarity. We do not go far or fast, but they are teaching me to marvel at the mysteries of a God hidden in plain sight. As a writer and worshiper of God, slowness is a gift, for I am honing the ability to notice and delight.

I’ve had these prophetic words by Madeleine L’Engle scribbled into my prayer journal since my pre-kid years. I never knew their fulfillment would come in the form of motherhood:

“Slow me down, Lord … When I am constantly running there is no time for being. When there is no time for being there is no time for listening” (Walking on Water 13).

In my former life, I was a doer. I led, organized, taught, and planned. I lived in other countries, got my masters, traveled alone on 27-hour train rides across China, and spoke other languages. But it turns out God was not impressed. Instead, he wanted to teach me how to be nearsighted again. He wanted to slow me down. Not just so I could see his work in the world, but so I could hear his still, small voice …

Continue reading at The Redbud Post

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Madeleine L’Engle Made Me Do It {for SheLoves}

I shared this last week on SheLoves for the theme “legacy.” When I thought of a woman who has had a huge impact on my life, Madeleine L’Engle immediately came to mind…

 
My husband and I fell in love dodging sparks over a shared affection for travel, coffee and Madeleine L’Engle. I had just finished rereading L’Engle’s treatise on faith and art, Walking on Water, for the umpteenth time, feeling the usual pull to be a writer without the guts to follow the call. My future husband, it turned out, owned every non-fiction book she had written, but had a special affinity for this one because of his own call to be an actor.

Over the years, L’Engle’s words have not only entertained, but also empowered me. For the closet creative with a secret compulsion to write, act, paint, draw, sing, plant or plan a Pinterest party, her words are just the pixie dust you need to fly.

I’ve had a fondness for Madeleine L’Engle since the first time my mom thrust A Wrinkle in Time into my hands in elementary school, making me promise to read it before devouring another Babysitter’s Club book. Years later, after graduating and taking a job teaching seventh grade, A Wrinkle in Time was my first choice of a novel for my students to read for our literature circles.

But it wasn’t until last year that L’Engle’s words changed the trajectory of my life.

Five years after my husband and I fell in love, I reread Walking on Water not in the midst of my single life full of wide-open paths, but sitting on a spit-up stained couch by dim lamplight nursing my second baby. As I read, my secret compulsion unexpectedly grew into courage.

Like a prophecy that awaits its time, the words finally claimed me.

“Feed the lake,” she wrote.

I had so many excuses why I shouldn’t begin writing publically. (The baby on my lap, for one). But there were others…

Continue reading at SheLoves.

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