Writing During a Pandemic

All my writing projects now feel inconsequential in light of this global pandemic. I opened my Scrivener document and scrolled through chapters yesterday, wondering how to write when there feels like a Before and After—a hinge in history that didn’t exist before.

I feel full of words, but they’re suspended in air like confetti and I’m waiting for them to shuffle into some kind of pattern that will help make sense of the world. But just as I’ve learned that I need to get outside and jog for my mental health, I know I also need to write. Writing is not a want; it’s a need.

This past week one of my favorite podcasters, Ann Kroeker, encouraged writers to journal and document the days. Although it seems hard to imagine, we will forget what this is all like. People may never see our wrestling and wrangling of words during this strange season, but writing will help us work out the kinks in our own souls. If you are a writer, carve out time and space in your day to write.

I once told a friend that I wasn’t a verbal or internal processor. “I need to write things down to make sense of them,” I told her. “What does that make me?”

“A writer,” she said.

I’ve always been more of a tortoise than a hare when it comes to making sense of things. I was never the first kid in class to raise my hand because I need time to process. I know this about myself. For a recent essay I published, I had mulled over those ideas for nearly a year before I wrote it. Madeleine L’Engle always encouraged her writing students to spend lots of time thinking, then to write without thinking. Often our ideas must be seeds hidden in the damp ground long before they become flowers.

Just two months ago I added an extra morning of preschool for two of my kids so that I would have nine hours a week to pursue freelance writing. But then the world closed its doors and we are living on top of one another in our house. Now that I am home full-time with my kids, aged 3, 5, and 7, that time to write evaporated.

My husband already works from home, so we rejiggered our schedule so that instead of working from 9 to 5, he now works from 10 to 6 and he gives me the morning hours to hide out in his office and fight with words on the screen. Can you enlist your spouse and get creative with your time? Perhaps there’s more fluidity to our schedules than we thought.

Making space for creative work will help sustain us through the next weeks and months of isolation. Writing will give us an outlet for expression and perhaps open portals into truth and beauty we might have missed otherwise.

Keep writing.

Keep writing, painting, creating. At times, invite your children into your creative endeavors. Perhaps they too will catch the passion. Don’t apologize for carving out time and space to create—even if no one buys your words or even reads them. Writing will keep us afloat. And it may buoy others as well.

***

How are you getting creative with your time so you can write?

Why Authors Do Book Signings (It’s Not for the Reasons You Might Think)

The bookstore manager, Pam, takes me behind the desk to the backroom of Macdonald Book Shop in Estes Park, Colorado. I plop my bags on a table in a snug break room. One door leads to a bathroom.

“The lock doesn’t work, so be sure to knock first. Then leave the door ajar when you go out so we know it’s available,” Pam tells me.

Another doorway leads to a tiny office with a desk facing a window. The owner, Paula, is an elderly woman with a warm smile and curved upper spine. Later in the afternoon, I’ll see her sitting at this desk and imagine she’s ordering books for customers; or perusing reviews online to determine which books will sell to tourists and her loyal customers.

Pam steers me out another door to a room in the bookstore with a worn brown leather chair Pam calls “Grandpa’s chair” in front of a fireplace. A table is next to the chair, with a small poster of my book cover announcing the book signing today from 2 to 4 pm. I’ll sit in Grandpa’s chair between the kid’s book section and the Colorado and Native American book section, which is rather large for a bookstore of this size. Later, another worker, Sally, will tell me she works at the Native American museum in Arizona, and I wonder if she’s responsible for this sizable selection.

I scribble a nametag that I brought for myself: “Local Author Leslie Verner” and stick it to my dress, then hide my pen and post-it notes behind the display. I prop my clipboard with a sign-up for my newsletter on the floor next to the table and wonder if I should sit, stand, or chase down customers to talk about my book (as Pam suggested).

This is my first book signing for my first book. I’m giddy. Writer friends had advised me to avoid scheduling book signings because they’re awkward, not profitable, and are time consuming. But independent bookstores have my heart. If my husband and I travel to a new town, the first thing we do is identify the coffee shops and independent bookstores. We wander to our respective genres: him, to the sci-fi, fantasy, and nature writing aisles; me, to the poetry, essay, and writing sections. If we have our kids with us, we take turns waiting with them in the kid section and rotate after some minutes so we can browse kid-less.

It’s a Friday and overcast, a rarity for the end of August in Colorado. The crowds of tourists have thinned since I stopped by just two weeks before to drop off some posters and copies of my book. Kids have returned to school and summer is quickly melding into fall.

Settling into Grandpa’s chair, I wonder if anyone will stop by at all.

I had contacted the local newspaper to alert them of my signing. Later, Pam will send me a clip of the article—a write up from my Goodreads description of my book, a headshot, and my book cover—vibrant even in newsprint. All three book sales today will result from local residents reading this article and stopping by to meet me and have me sign the book they buy.

What I sacrifice in time and actual sales, I make up for in conversation. I talk to Sally, the employee who volunteers at the museum in Arizona. She’s worked here every summer for over twenty years. I ask her if she reads a ton and she answers, “I try to. But at my age, I’ve decided to only read non-fiction.” I nod, thinking of the truth embedded even in the fiction books I read, but choose not to disagree. I ask her if she’s read any Joan Chittister and tell her I’m reading The Gift of Years, a book on aging. She smiles, “I think I understand aging pretty well.” I wonder how old she is. Seventy? Seventy-five? I have no idea, but I wonder if I’ll be more choosy with my books as I age, knowing my time is limited.

I talk to a mother and daughter for a long time about transition, finding friends, and community—they are dropping her off at college in Boulder. They seem excited about my book until the mother reads the back cover. I wonder if the word “Christian” in the description turns her off.

“How long’d it take you to write it?” another man asks, sauntering by as I sit in Grandpa’s chair, reading my library book in the lull.

I laugh, “Twenty years?” I say. “But from the time I started thinking about writing it to actual publication, about two years.”

A few minutes later, I see a man reading the back cover of my book at the front of the store. I hear Pam tell him the author is here if he’d like to meet her. I see him look up, then stride back to meet me. I stand and he leans down to point at my book on the table, flipping it to the back. “You say here this book is about ‘holy hospitality’ and ‘how hospitality is at the heart of Christian community,’ but when I read about Christians in the news …” he drops off.

I know what he’s going to say. He starts again, “I grew up kind of going to church, but it seems to me the church isn’t doing what it should be doing.” I didn’t disagree. I told him my book was less of a commentary on the church at large, and more of a consideration of small pivots of faith to follow Jesus and love people around us.

Later, Paula writes me a check in the backroom for the five books I had sold–three today and two of the ones on display in the previous weeks–and three more to keep in the shop ($12 total profit for eight books after subtracting what I paid my publisher for the copies). Pam helps me gather the remaining books and we talk about my conversation with this man.

“I kind of overheard it, but didn’t hear all of it,” Pam says. I tell them I had forgotten the word “Christian” was even on the back of my book and was taken off guard.

“I wish the publisher hadn’t used that word,” I say. “It’s such a trigger word for people in our society.” The women agree. Sadly, the word “Christian” often carries a negative connotation for people today.

Afterward, I order a vanilla latte (using nearly half my profit) at Inkwell and Brew, a coffeeshop behind Macdonald Bookshop, and settle into a small booth overlooking the river glimmering through downtown Estes.

I’ve already asked whether the book writing was worth it. But was the two-hour signing worth it?

I had about seven long conversations on friendship, community, isolation, and the state of Christianity in the world. I advertised my book in the local newspaper and had my book on display in the window of an indie bookstore I’ve visited many times over the years. The booksellers handed out my bookmarks to local residents stopping by to pick up the books they had ordered and random tourists buying the latest bestsellers. Pam put up posters with my book cover around town. And in the days to come, if a customer is looking for a book on spirituality, hospitality, or community, my guess is that Sally, Pam, Paula, and the other employees will steer them to my book.

As in all aspects of the creative life, it’s best not to gauge success by dollar signs. Creators deal in a mysterious currency. Did our art act as a conduit for connection, depth, and soul? If so, I call this “success.”

My book Invited: The Power of Hospitality in an Age of Loneliness is now available where all books are sold online, but also in some brick and mortar bookstores–check your local Barnes and Noble, or support your local independent bookstore by ordering it from there! You can also order it from your local library.

SO many ways to get your hands on it! 🙂 Sign up for my newsletter and I’ll send you chapter 1 for free!

Why Authors Do Book Signings (It’s Not for the Reasons You Might Think)

*This post contains Amazon affiliate links

Tools for Writers and Bloggers

Since I began writing online several years ago, I’ve discovered many tools along the way that I use daily, weekly, or monthly to share content on my blog and on social media. As a former teacher, I’m a huge believer in not reinventing the wheel, so if you, too, are a writer, I hope you can save yourself some time, money and effort by using this list. Feel free share other ideas in the comments!

Websites

Be Funky Collage Maker

I use this when I want to feature several different books and need to include them all on the cover. You can I see examples in this post on race resources and this one on book recommendations (for the Pinterest image on this one I also used Canva–see below).

Canva

I mainly go to Canva to create Pinterest images. If you’re new to blogging or writing online, then you may not know that your Pinterest images should all be oriented as portrait, not landscape. Canva can also be used to create images with text for any type of social media.

Facebook Debugger

When Facebook is not showing the correct image for my blog or if it’s not showing any image at all, this site will help reset it so it will display the correct image (I have NO IDEA what “debugging” means, I just know it works!)

Google URL Shortener

When links are too long to include on Twitter, this will make your link a more reasonable length. For example, Amazon links are incredibly long, so when I want to share about a book, I usually shorten the link before posting it.

Pixabay

This is a great site for free images where you won’t have to worry about impinging on copyright laws.

Power Thesaurus

I use this a ton when I’m writing. I think it offers more options than just using thesaurus.com.

Unsplash

I prefer this to Pixabay mainly because I think the images are a bit more artistic, but it tends to have more upright (portrait) images, which is good for Pinterest but not best to use for blog images.

Programs & Apps

Editpad Lite

This free little program strips away formatting before you copy and paste text to use on your website, in emails, or social media posts. I use it daily.

Mailchimp

I started a newsletter list in 2018 using Mailchimp and I think it’s been a great tool for connecting with readers. It’s free up to the first 2,000 subscribers (which I am far from hitting, so this is not an issue for me).

Scrivener ($45 one time fee)

I wrote my book using Scrivener last year and LOVED it. You can easily move between Word and Scrivener. The advantage is that you can see your whole book at once and move pieces around like a puzzle. As a visual person, that was super helpful as I wrote.

Voxer (app)

Though this seems to be unrelated to writing and blogging, I have connected with many writers using Voxer. Most people don’t have the time to sit down and email you, but they are usually more than willing to leave you a five minute message about their writing process, tools they use, or to share their expertise.

WordPress

I started my blog with a free site in Blogger and wish I had started it in WordPress so it would have been easier to transfer over when I started paying for my site. It’s been fairly intuitive and I haven’t had any issues in the three years I’ve used it.


Which websites and programs make your life easier as a writer? Let me know in the comments! For more writing resources, check out this list of books on writing and podcasts for writers.

Sign up for my monthly(ish) newsletter here and I’ll send you a list of hospitality resources for uncertain hosts!

Online tools (websites, programs and apps) for writers and bloggers. #writingcommunity #writinglife #bloggers #blogger #wordpress #writingtools #writingsites

Places to Publish (for Writers of Faith)

I compiled another list! Surprise, surprise. (Perhaps a procrastination technique to not actually write. . . ?) There are millions of online journals, but sometimes it’s hard to know which ones are worth your time. I’ve published at some of these places listed below, but the rest come by recommendation from writing friends. Can people of faith publish in secular journals? Of course–and I hope you do! But for those of you looking for a niche, I hope this list nudges you to submit your work to the world.

Most do not pay, but maybe I’ll share in a future post about why publishing for free is still valuable for new writers. Please let me know if there are some sites you would recommend that fit the flavor of this list and I’ll consider adding them. Be sure to sign up for my newsletter for more helpful information like you see here. (I don’t always curate lists, I write sometimes, too.)

You’ll notice the list runs the gamut “side”-wise, and not every publication listed is a site for people of faith, so read each publication before submitting to ensure that it’s a good fit for you! These links will take you to their submissions pages. Happy writing and publishing. May your rejections be few and your acceptances many.

Online Publications:

$ Offer payment (in some cases)

* Online and print options

The Art of Taleh

Barren

By Faith (Presbyterian PCA magazine)

Catalyst

Charisma ($?)

Chicken Soup for the Soul ($)

Christ and Pop Culture (both unpaid and $)

The Christian Century ($) *

Christian Courier ($)

Christianity Today ($) *

Comment ($)

Crosswalk ($)

Daily Paradigm Shift (DailyPS)

Desiring God

Ekstasis Magazine

Entropy

Ethics Daily

Evangelicals for Social Action

Everything Mom

Faithit ($)

Fathom Mag

For Every Mom ($–for previously unpublished work)

Geez ($) *

Good Letters (blog of Image Journal *)

Her View from Home ($)

iBelieve ($)

(In)Courage

In Touch Magazine ($)

Joy of It

The Joyful Life Magazine

Kindred Mom

The Other Journal 

Made to Flourish ($)

MarriageTrac

Missio Alliance

Moms & Stories

MOPS

The Mudroom

The Perennial Gen

Persevering Hope

Plough Quarterly ($) *

Really (Elisa Morgan’s blog–former CEO of MOPS)

RELEVANT

Risen Motherhood

Red Letter Christians

Red Tent Living

Relief Journal blog

Ruminate Blog *

SheLoves Magazine

Sojourners ($)

Start Marriage Right

Think Christian ($)

Trochia ($)

The Well (Intervarsity)

**This list will be updated periodically.

Sign up for my monthly(ish) newsletter here and I’ll send you chapter 1 of my book Invited: The Power of Hospitality in an Age of Loneliness.

Places to Publish for Christian Writers and Writers of Faith. The links on this post will take you to the submissions pages for each of these sites. #getpublished #submitwriting #writingsubmissions #placestopublish #blogs #onlinejournals #onlinemagazines #collaborativeblogs

Photo by Joyce McCown on Unsplash

The Creator’s Psalm {guest post}

By Carlene Byron | Blog

 

The Lord is my favorite artist;
I shall never cease to be amazed.


He surrounds me with beauty and splendor,
With treasures of intricate mystery and ineffable intent.


He leads me into opportunities beyond imagining.
He guides my hands as I create.

He gives wisdom to know the false from the true,
To discern the Spirit from the muse,

To shape what is pure and good and right and holy.
He has filled His world with riches beyond knowledge,

Created in every form to serve every being,
And like ripe fruit, I pluck what I need.

His creativity knows no end,
And I will rejoice in Him and His works forever.

About Carlene:

The former editor of New England Church Life and The New England Christian, Carlene Hill Byron is enjoying being home in Maine after 20 years in North Carolina. She is a professional fundraiser supporting adults with disabilities and is a member of the Redbud Writers Guild. Find her at Pocket Purpose Blog , The Church and Mental Illness, and on Facebook.

BOOK GIVEAWAY!

We are giving away two of Abigail Carroll’s books of poetry: Habitation of Wonder (Wipf & Stock 2018) and A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim (Eerdmans 2017). You can read her post here.

TWO WAYS TO ENTER

1. Sign up for my newsletter below AND/OR

2. Tag up to four friends on either my Instagram or Facebook posts about this blog post and I’ll enter YOU (not your friend) once per friend you tag! Contest ends Wednesday, July 4th, at midnight (MT)*Only U.S. residents, please! And no bots;-)

 

***

This is the final post in our series on the theme “Create.” Our next theme is “Hospitality Around the World.” Email me at scrapingraisins @ gmail (dot) com if you are interested in guest posting! Guest posts should be between 500 and 900 words. Be sure to include a headshot and bio! 🙂

Sign up for the (occasional) Mid-month Digest and the (loosely) “end of the month” Secret Newsletter for Scraping Raisins Here:

*All images are the property of Carlene Byron and are used with permission.

How We Wait: A Poet’s Spiritual Practice {guest post} + BOOK GIVEAWAY

By Abigail Carroll | Website

This year, my church celebrated Lent in an unconventional way: we created art together. Specifically, we snapped black-and-white photographs designed to capture the theme of waiting.

Everyone was invited to submit their best six photos, and a skilled artist in the congregation assembled them into what we called a photography quilt, which we displayed during the Palm Sunday service.

As a member of the Arts Team, I had helped come up with the idea, but I harbored concerns that we would find a sufficient variety of examples when it came to visually depicting waiting—would we all end up photographing the same six things? I also wondered about the spiritual value of the project: would it merely offer a feel-good community experience, or would the church grow spiritually? Would I grow spiritually?

To my astonishment, I hardly had to search for waiting: it found me.

Shortly after we launched this arts initiative, I found myself in that iconic space of involuntary tarrying: a hospital waiting room. A woman at my church with no family in the area had asked me to pick her up following minor surgery. I arrived at the hour she was scheduled for release, but the surgery had been delayed, took longer than expected, and required more recovery time than usual.

Because I had anticipated a simple pick-up, I had neglected to pack reading material or my laptop, so I spent what amounted to about eight hours flipping through magazines, wandering hospital lobbies, and listening to the conversations of others who were also waiting. I found myself moved to pray for many.

As I snapped a photo of the sign, Bernice and Milton Stern Surgical Waiting Area, I realized that what I was waiting for was more than my friend to emerge from the surgical ward in a wheelchair escorted by a nurse: I was waiting—with a deep sense of yearning—for the time when surgery will be obsolete, when, as John the Revelator puts it, “there will be no more death or mourning and crying or pain” (Revelations 21:4). I was waiting for the old order of things to pass away and the new order of things to be ushered in.

The second photograph I snapped was not in a hospital, but in my home.

My spirit had been feeling lifeless for some time, and I had been struggling to experience refreshment in prayer. One day when I was simply out of words to pray, I decided to take ten minutes with God in quiet with no attempt to use (or even think) words.

I installed myself in the rocker at my bedroom window overlooking a neighboring farm, and I gazed out over the white, snowy pastures. Something happened during those ten minutes that I can’t quite name. When I rose from my chair, I sensed that God’s presence had been with me, and my soul felt as though it had taken a deep, long breath. Once again, the theme of waiting had found me, so I photographed the chair next to the window, bathed in winter light.

A third image of waiting presented itself while I was on a walk, but not just any walk.

I had learned that dear friends whom I considered practically family would be moving away. I was devastated. All morning, the sky had been spitting snow, and my heart was feeling as bleak as the damp day, which, though it was April in Vermont, yielded no sign of spring. That is, until I stumbled on a pile of brush on the side of the road sporting small velvety buds. It was pussy willow branches that had been clipped, but were blossoming just the same. I gathered some of the clippings and snapped a photo, and as I did, I realized the picture was less about the willow clippings, than of my clipped soul, which felt utterly dormant and cut off, but which I knew would bud again, even if I couldn’t yet see the life.

We are all waiting for something—a call, news about a job, a broken bone to heal, vacation, the coffee to percolate, spring. Waiting is inherent to the human condition. What I realized, as I participated in our Lenten arts project, however, is that just as the poetry of everyday life resonates with eternal truths, every instance of our day-to-day waiting bears the imprint of a larger waiting.

In his letter to the Romans, Paul says, “[We] groan inwardly as we wait eagerly for our adoption as sons, the redemption of our bodies” (Romans 8:23). This is the ultimate waiting to which all our other waiting points.

On Palm Sunday, when the photography quilt hung before the congregation, we beheld a portrait of our individual waiting, but also of our collective hope—a hope in the gospel’s promise that one day all which is broken will be restored.

I like to think that the act of snapping each photograph helped pique our hunger for a world gloriously renewed. At the very least, it piqued mine. I have come to recognize the experience of longing in my daily life as an opportunity to remember the One for whom I long, who has pledged to renew all things. As for pussy willows and waiting rooms, I don’t think I’ll ever look at them in quite the same way again.

***

BOOK GIVEAWAY!

We are giving away two of Abigail’s books of poetry: Habitation of Wonder (Wipf & Stock 2018) and A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim (Eerdmans 2017).

TWO WAYS TO ENTER

1. Sign up for my newsletter below AND/OR

2. Tag up to four friends on either my Instagram or Facebook posts about this blog post and I’ll enter YOU (not your friend) once per friend you tag! Contest ends Wednesday, July 4th, at midnight (MT)*Only U.S. residents, please! And no bots;-)

 

About Abigail:

Abigail Carroll is author of two books of poetry, Habitation of Wonder (Wipf & Stock 2018) and A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim (Eerdmans 2017). Her first book, Three Squares: The Invention of the American Meal (Basic Books 2013), was a finalist for the Zocalo Book Award. She serves as pastor of arts and spiritual formation at Church at the Well in Burlington, Vermont. You can find her online at www.abigail-carroll.com and follow her on Twitter at @ACarrollPoet.

Sign up for the (occasional) Mid-month Digest and the (loosely) “end of the month” Secret Newsletter for Scraping Raisins Here:

*This post contains Amazon affiliate links

**All images except the first one are the property of Abigail Carroll and are used with permission.

I Am a Maker {guest post}

By Debby Hudson | Twitter: @debby_hudson

I don’t like fitting rooms. Some places try to look a little fancier than the slate-gray-institutional-look cubicles at Target. At White House Black Market, heavy curtains hang between you and the salesperson. Victoria’s Secret has solid black doors helping you feel more private trying on things you know weren’t made for your body.

What I really don’t like is arming myself with various sizes, because who knows how the new cut of jeans will fit this time. (That’s code for how much weight have I really gained.) The whole experience leaves me feeling like I’m the one who doesn’t fit.

But, we have to wear clothes (thank you Adam and Eve … I mean, really, thank you!) and the perfect fit jeans you bought at the Gap last year have been discontinued. And it’s back to the fitting room.

I’ve been trying some different things on the past few years. I saw a few things I thought would fit. I tried writing. I joined a few groups, took a course or two and started learning the language. I worked up the courage to submit to a few sites and got rejections and acceptances, both of which made me feel like a “writer.” But the fit wasn’t one I was going to wear long term.

Next I tried on photography. Again, I took a few classes, joined a group or two and shot, deleted, shot, deleted. I grew my following on Instagram and sold a handful of photos through Shutterstock. This fit is closer to being true. Perhaps because it’s coming more natural to me. It’s helping me discover more about the creative part of me. Casual and fancy are both good fits with this lens.

I have always been a maker. You might even say it’s in my DNA coming from a line of makers.

My paternal granny made tiny Barbie dresses with crocheted purses for them. I was the delighted recipient of her skills.

Mama tried her hand at ceramics, tole painting, sewing, knitting and a few more things along the way. She was my biggest encourager nudging me to go further with my art.

In her family the women are particularly creative with sewing, decorating, painting and even upholstery. Yes, we are makers. Our hands need to be busy with needle and thread or brushes and paint. It’s an ingrained part of who we are.

When our children started school I took some of the things I made to local shops to sell. Some were sold on consignment and others bought outright at a margin allowing them to make their profit.

I learned what did and didn’t fit for me:

Making = a good fit

Selling = never the right size

Times have changed. Craft shows that were plentiful at the time have shrunk in size and variety. Places like Hobby Lobby sell items that can be sold at low cost.

The opposite is true of sewing. Why spend the money on fabric and the time involved when you can buy the dress cheaper at Target?

For some of us, it’s not the cost of supplies but that zen moment we get in the making.

I’ve dipped my toes in selling again. The internet makes it easier. It’s like a fancy changing room where you can hide behind the sleek black door while someone you’ll never see scrutinizes your work.

While friends have been encouraging me to sell, it’s still not easy. Increased quality of phone cameras has made everyone a photographer. Who needs to buy someone else’s work?

Even though the internet seems to have made it simple for an artist to sell their work the result is a saturated market. How does anyone get their work seen? Now we have to be makers, salespeople and marketers.

Seduced by the ease of uploading photographs, I submitted a few to Shutterstock. They were accepted and after a few weeks I had my first sale. Twenty-five cents! Reality and humility often go hand in hand.

We are facing a big change in our life next year. We are retiring and I already have visions for the Florida room in our retirement home. My mind’s eye pictures shelves in one corner holding a variety of props for my still life photography. Windows on three sides will bathe the room in light for painting and shooting stills. Perhaps an area in front of the white-painted brick fireplace to set up a revolving vignette. I envision the serenity that comes with creating, even in creating the space itself.

Maybe this new place and new chapter will lead toward more risks. Maybe I’ll try on new things in the fitting room that’s called retirement. Maybe I’ll become friends with that fitting room.

Today there are a lot of maybes. What is certain is that I’m a maker as much as I’m a wife, mama, MeMe, sister and friend. While I’m creating images on the screen and paintings in my tablets, I most want to make a place for peace in grace.

*All but title image are by Debby and are used by permission!

About Debby:

My husband and I partner in ministry as ordained ministers in The Salvation Army. We’ve been involved with the recovery community for 14 years and are Administrators of a six-month residential program for men. Through our work in this area, we see hope shared on a daily basis. We are witnesses to God’s amazing grace. When I’m not being a surrogate mom to these men, I enjoy many artistic endeavors and share a lot of them on my Facebook page. Come find me on Twitter at  @debby_hudson and Facebook at @debbyhudsoncreative. Check out Debby’s photography here and here.

Sign up for the (occasional) Mid-month Digest and the (loosely) “end of the month” Secret Newsletter for Scraping Raisins Here:

I Am a Maker. "For some of us, it’s not the cost of supplies but that zen moment we get in the making." #creativity #making #creatives #artists #art #photography #artistsreflections

Keep Showing Up {guest post}

By Marvia Davidson | Instagram

You will find by doing. Doing brings revelation and clarity. In the discovery of gifts, I have found it to be challenging to own the place of my full purpose as a creative spirit. You see, I don’t simply do one thing in my creative practices. I engage in many creative things, but I’ve learned to give myself grace to play, grow, and discover what art forms I enjoy.

When I think of the discovery of gifts, I think of exploration and permission.

Maybe these aren’t always easy for us to give ourselves, but they are a much needed part of the process of finding our creative voice, and it enhances the gifts we bring. Sometimes those insights lead to deeper revelation of who we are and what we’re here for, and they can be surprising too.

I find more of my creative voice by showing up and doing the work of discovery – the practice of trying out ideas and techniques. I do this most frequently in writing because I’ve enjoyed writing and sharing ideas for many years.

When it came to any kind of art, I didn’t think I could do it. It looked hard, tedious, and nearly impossible. I doubted I would be able to draw, to create, or paint. I’ll tell you a secret to overcoming my self doubt, and it may sound odd, but social media has been an underestimated source of creative, guiding inspiration for me. I don’t mean to sound woo.

I mean that an app like Instagram has become a mini art school for me, a way to see how art is expressed in myriad forms. It has become an abundant place to learn, search, explore, and share my art, Yes! I said my art because I now call myself and artist. It is art I did not know I could do, but finding other creatives on Instagram has been encouraging for me. I have witnessed people growing in their process, and the more they share the more I find possibility beating in my own heart.

I enjoy making mixed media art and hand lettering, specifically brush lettering. These two art forms were daunting to me because I would peruse specialized magazines, books, or websites of perfectly styled and photographed pieces, but Instagram is full of people who share their behind the scenes process and how they do what they do despite their imperfections.

All of a sudden, I wasn’t afraid to experiment with these new gifts. Along the way, I realized these two art forms could serve as a way for me to express my purpose, values, and desire to see people encouraged through the tough circumstances of life. I also learned to accept I am an artist in my own unique way, and it is okay for me to walk out what it means to be one.

Because my art practices require time and patience, they have been a wonderful way for me to fight back against imposter syndrome and self doubt.

The discovery of color, painting, and pens gliding across blank paper encouraged me to develop my skills, and I’ve been having fun ever since. I wanted sustainable practices which could also serve as a soul care practice, and they are. Like quilting, I find the process of painting and hand lettering to be therapeutic and meditative. In a way, they allow me to infuse my work with focused attention to the message I want to convey.

I believe when we accept the nuances of who we truly are, we become more ourselves and we learn to live abundantly. We learn to give ourselves and one another room to be. We find there is room for us at the table, and the only thing that might be holding us back is our own limiting belief.

Engaging fellow artisans reminds me how much community can matter when we’re trying something new. Sharing our struggles, mistakes, and failures gives us room to refine our creative voices and the processes we use. When I see another artist sharing this way, it empowers me to take more bold steps in my own art because I know that discovery comes through the process of doing.

The more I do the artsy things, the more I am settled in who I am and the creative expression of the Divine in me. The challenge no longer keeps me from growing. I choose to show up. Every time I do, I let loose and play, allowing my heart, mind, and body to express with colors and words on canvas or page.

I choose to invest in myself and the materials I need to express my creative soul. This is an act of self love. To give one’s self grace to discover one’s gifts, is to love one’s self well, and I believe this opens a door for us to learn to love others well too.

I encourage you to pause and reflect on those creative inklings tumbling around your heart, and follow the curiosity of their unfolding beauty.

About Marvia:

Marvia is a Texas writer/creative soul who enjoys writing, making art, laughing loudly, baking, dancing ridiculously because it’s fun, and smashing lies that keep people from living whole. Join her at marviadavidson.com. You can also follow her on Twitter and Instagram @MarviaDavidson and on Facebook at facebook.com/marviawrites.

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Our theme this month is “Create.” If you are a maker, artist, or creator and you would like to guest post, I still have a few spots left! Otherwise, check out the themes for the coming months here. The theme for July is “Hospitality Around the World.” And if you’re not interested in guest posting, follow me on social media (buttons on the top right) to be sure you don’t miss a post this month!

Sign up for the (occasional) Mid-month Digest and the (loosely) “end of the month” Secret Newsletter Here:

Why I Paint African Faces {guest post}

By Beth Watkins | Twitter: @iambethwatkins

I’ve always been a maker. I can’t help myself. I’m an extremely tactile person. I love doing things with my hands and if I see something I think I could make myself, I absolutely want to teach myself how to do it.

I sold homemade jewelry on the playground in 4th grade, and again in high school. I carried around no less than 4 notebooks and 50 pens from the 5th to the 10th grade – always on the ready to doodle, draw, and write about my feelings in full color. I got my first set of real paints when I was 11, set up my studio in the basement, and read books about impressionism before bed. I won my first award for a painting when I was 12 and sold my first acrylic painting when I was 16. I was always collecting supplies, making things out of what I could find, and went through a really intense phase of dyeing, appliqueing, and painting on my clothes.

I thought I would apply to art school, but then decided God wanted me in Africa instead. I took my acrylic paints with me but turns out when you live in a desert the paint dries a lot faster and I couldn’t work with it the same way. So I made jewelry with beads and electric wire. I took bottle caps and wire and sat with street boys and we made cars, snakes, and rickshaw sculptures. When I went home I’d draw pictures of these boys, of my desert home, crosshatching their faces, the mosques, the ladies in their colorful tobes.

A few years later I sat with former street girls at a center in South Sudan and we made bead looms out of cardboard and they learned to weave necklaces and bracelets, attaching them to closures made from inner tube. They loved it.

We’d sit for hours and hours, wondering where the time went – marveling at how quiet the center was now that hands were occupied and fights broke out less. The older girls would teach the younger ones, and we sold their wares. By doing so the girls stopped selling their bodies. They made their own intricate designs, invented their own techniques, and went from students to teachers.

Again, in the evenings, I’d sketch their faces as I wrote their stories in my journal, not sure how so much beauty and so much pain could coincide together.

I’m back in the US now – taking my making with me. I’ve learned to make shoes, how to can tomatoes and pickles (the composing of a delicious meal being as much creation as a painting – just one that nourishes us in different ways) and make standing planters and raised garden beds out of burlap sacks, scrap bricks, and anything else I can find.

I’m still painting portraits – our house is filled with colorful paintings of African faces. Faces of people I’ve known, loved, and had to leave. As I paint them I remember, I pray. They are tributes in a way. Marks of seasons now over. They fade into the background now, more or less, but sometimes I stop and I remember. Faces of people I love, marking dreams lost, grief, the changing of things with time.

My husband and I were apart the last three months of our engagement. He was still in South Sudan and I was in the US getting counseling and planning our wedding. I painted a 3’x3’ portrait of our faces from a picture taken the night we got engaged. I was worried for him, still in a tumultuous place, a country at war. I couldn’t hug him, touch him, see in his eyes if he was ok or not, so I painted him. I got to scrutinize each hair, each freckle, the curve of his smile and render it with my own hand. It was deeply meaningful to paint, forming his face on a canvas when he was so far away.

I make out of practicality sometimes, but mostly joy. And I think it is in this joy we ourselves have been made.

I always did and I still do get a little flutter when I finish a picture or project. Whether it’s shoes for a friend, an ambitious baking project, an illustration for a freelance project, or another portrait on our ever-crowded walls, I get the flutter because while I’m in the process I’m never always sure that finishing will come.

Most of what I make isn’t for day-to-day use. Much of it sits tucked away. It’s the making that fills my soul. An idea that is seen through until the end. Getting surprised again and again that some of the things I make turn out nicely. All the better if it is something that sparks joy for someone I love.

Maybe that’s what the Creator feels about us too. I don’t think God gets surprised about what those Almighty hands are capable of, but God must experience something like pure joy in creation. Joy that begets joy. God creates us and not only do we find great joy in what else and who else has been created alongside, we take what we have and what we can find and we make art, gardens, jewelry and clothing, homes and poems, stews and cakes and we make and we make and we multiply joy as we create as God taught us how.

We are makers of beauty because we’ve been beautifully crafted.

 We are unique and flawed, becoming masters in our crafts while others master theirs. We make mistakes and we learn and we make as we have been made. We create as we have been created. In love, in pained labor, and the world is better because we keep making, because we’ve been made in the image, and part of that image is that of maker.

(all images by Beth Watkins)

About Beth:

Beth Watkins spent the last 6 years working in North and Sub-Saharan Africa with vulnerable populations. She is currently settling back in the US with her immigrant husband and writes about flailing awkwardly into neighbor-love at http://www.iambethwatkins.com and on Twitter: @iambethwatkins.

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Our theme this month is “Create.” If you are a maker, artist, or creator and you would like to guest post, I still have a few spots left! Otherwise, check out the themes for the coming months here. The theme for July is “Hospitality Around the World.” And if you’re not interested in guest posting, follow me on social media (buttons on the top right) to be sure you don’t miss a post this month!

Sign up for the (occasional) Mid-month Digest and the (loosely) “end of the month” Secret Newsletter Here:

Why I Paint African Faces, by Beth Watkins. (blog post) #art #artists #create #creativity #makers #createdtocreate #painters #inspirationforartists

 

No “Late” Bloomers: Late Weddings, Old Moms & Delayed Creativity


“Are you dating anyone?” the woman asked me after church over mini muffins and bad coffee.

I shook my head.

“Oh, you have plenty of time,” she said to me. Turning to my mom, she added, “My daughter was a late bloomer.” I was spending the summer at home in Florida after graduation from college. I planned to move to Chicago to start teaching in the fall.

“Yeah, she got married in her late twenties,” she continued, my mom nodding along. I clutched my Styrofoam cup, inwardly marveling that I was no longer a college student, but was now labeled according to my marital status. I was now “a single.”

Even at the time I thought she was being a bit harsh in expecting her daughter to get married right out of college. And over the years, that phrase, “late bloomer,” has always grated on me.

Can God be “late”?

When you try to put your feet in the steps of Jesus as you live your life, can you describe any transition as “late”?

According to that woman, I would have gotten married “late,” at age 32. I would have had babies “late,” at age 33, 35, and 37. And I would have started writing “late” in my mid-30’s. But I don’t believe God is ever late.

Spring dragged her feet in arriving to Colorado this year. Tulips and daffodils, the first signs of spring, eased from the ground a few weeks later than they usually do.

We made it home from vacation last week just in time for the peonies in early June. I nearly didn’t see them because the thin stems couldn’t support the huge, fat blossoms and their faces were flattened against the rocky ground. As a first-time homeowner, this is my first summer here and I’ve watched curiously as each new flower type surges up and out, exploding in the Colorado sun, then shrivels just as a different bloom takes over the show. First daffodils, then red tulips, white apple blossoms, lilacs, irises, and now roses and fluffy peonies.

Not a single bloom has been late—each one a note rightly-timed in the rhythm of spring’s symphony.

Because spring seemed delayed this year, I was more eager—desperate, even–for its arrival. Spring unlocks a suppressed something in me and I want to weep when I spy the first green shoots poking from the dirt or bright flowers decorating the yard. For me, spring is an emotional release from months of cold, dreary, color-less winter, a catapult back into lusty life.

Waiting primes us for greater gratitude when the thing we wait for finally arrives. Though I fully embraced being single and knew that marriage would not bring me ultimate joy or pleasure, I still longed for a life-long companion. And though I knew (or thought I knew) how children would alter the landscape of my life, I still yearned for the interruption. The long years of hopeful winters made me more thankful for spring when it finally came.

I’m not a young mom, but I do have young kids. I don’t fit the “young mom” category that many church ladies cluster women into. In fact, many moms with kids the ages of my kids are at least ten years younger than me. But I still don’t believe I got married or had kids “late.”

I published my first piece of writing at age 36, not because I was a “late bloomer,” but because my talent bloomed exactly when it was supposed to.

“My soil is like silk,” my 78 year old neighbor—my gardening mentor–boasted when I lamented that mine is like a rock. “You need to really work on your soil before you try planting in it,” she advised.

Art, too, often requires years of silent cultivation before the first flower can break through the ground.

Browsing through a bookstore recently, I picked up a book from the shelf about Laura Ingalls Wilder. I was surprised to learn that she didn’t start writing until she was in her 40’s, and didn’t publish Little House in the Big Woods until she was in her 60’s. Perhaps her childhood experiences needed years of marinating before they were ready to share with the world.

“Late” implies something didn’t go as planned. Perhaps the Master Gardener needs a bit more time with his hands in the soil, kneading, folding in nutrients, transforming rot and death into healthy soil for new growth to form. We may long for change, but waiting doesn’t mean Jesus isn’t there, that God isn’t working, or that plans have gone awry. Because in God’s kingdom, nothing blooms “late,” but always right on time.

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What are you waiting for? In what ways are you a “late bloomer”? How would your life have been different if everything had followed your own timeline?

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Our theme this month is “Create.” If you are a maker, artist, or creator and you would like to guest post, I still have a few spots left! Otherwise, check out the themes for the coming months here. The theme for July is “Hospitality Around the World.” And if you’re not interested in guest posting, follow me on social media (buttons on the top right) to be sure you don’t miss a post this month!

Sign up for the (occasional) Mid-month Digest and the (loosely) “end of the month” Secret Newsletter Here:

No "Late Bloomers: Late Weddings, Old Moms & Delayed Creativity #marriage #motherhood #creativity #transitions #timing #Godsdelays #oldmoms #metaphors

 

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